That’s how you honor the legends.
There’s a lot of debate around who should be on the “Mount Rushmore of Country Music.” With so many incredible choices throughout the years, it’s hard to narrow the list down to just four legends.
But Tracy Lawrence knows his four – and he turned it into one badass tattoo.
The ’90s country superstar recently showed off his new ink featuring his personal Mount Rushmore of country: George Strait, George Jones, Keith Whitley and Merle Haggard.
I mean, it’s hard to argue with anybody on that list.
Of course there are plenty of other names that could easily be in the discussion.
Waylon Jennings, Hank Williams (Senior or Junior), Dolly Parton, Johnny Cash, Loretta Lynn, Willie Nelson, Kristofferson…I don’t know how you narrow it down to just four, especially for something as permanent as a tattoo.
Hell, if you ask me today who’s on my Mount Rushmore of country music it would probably be a different answer than I’d give you tomorrow. There are just too many greats to pick only four.
But Tracy, he’s committed to his four. And now he’ll be honoring them wherever he goes.
Tracy Talks Having To Guard Himself Around George Jones
I could read stories about George Jones all day.
The Possum obviously lived quite the colorful life, with his well-publicized addiction to drugs and alcohol often getting him in trouble – and resulting in some wild stories.
But behind the scenes, Jones was, by all accounts, a soft-spoken and even shy gentleman to everyone he met.
And one guy who got to know him well during Jones’ later career was Tracy Lawrence, a newcomer at the time who was embraced by Jones, who even took Tracy out on tour with him after his second album, Alibis.
In an interview with Whiskey Riff, Tracy speaks fondly of his time getting to know the legendary George Jones – and that while he heard all the stories, he got a different impression from his time with Jones:
“I love George. I learned so much from that time with him. And probably the biggest thing I took from George – I heard all the stories, but I never saw any of that.
I saw a sweet old man that was still extremely talented, that was always great to me. I had dinner with the family, and I was always welcome to go on the bus with him and Nancy.”
Tracy says that Jones was willing to embrace the young guns like him, at a time when some of the old guard of country music wasn’t so eager to help them out:
“I think what I took most from that as I’ve gotten older and I’ve reflected back on it, I’ve really taken it to heart: You’ve got to realize, in the late ’80s and early ’90s, when all this young country movement was happening, you had guys like Waylon Jennings and Merle Haggard and all those guys that had been the kings of the charts forever…and all of a sudden they weren’t getting airplay anymore.
And they weren’t happy with us. They blamed us, blamed us young kids.
The only one that I never felt that from was Jones.”
But Tracy also learned another lesson from his time spent with George Jones: Always walk on his left side.
During an interview on The Justin Moore Podcast awhile back, Tracy told Justin a hilarious story that really shows the personality – and sense of humor – of George Jones:
“We did a group meet and greet every night. I learned real quick not to get too close to him.
Because George, if you were walking beside him, especially if you were on his right side, you’d be walking along, everything fine, having a conversation, and he’d just take his hand and he’d backhand you right down in the cod.
And he’d say, ‘Take a bow son.’
I mean, it would double you over right there in hall now. And he’d just laugh. I’m like, ‘You old fool!’
So you learned to kind of guard yourself when you was close to him because he’d catch you off guard and pop you boy.”
Imagine getting sack tapped by George Jones. You couldn’t even be mad about it.
But despite George keeping him on his toes, Tracy has nothing but respect for the country legend, especially the way that he handled his later career:
“I really appreciated the way that George approached it without bitterness and without the regret. He had a whole other career on the backside, and I think it was wise the way that he did it. And I hope I can carry that on and be a friend and a mentor to some of these younger artists.
Because nobody’s going to last forever. We all got a shelf life.”
Tracy Lawrence Announces His First Ever Headlining Show At The Ryman Auditorium
How has Tracy Lawrence never headlined the Ryman?
The former home of the Grand Ole Opry, the Ryman Auditorium is one of the most historic venues in Nashville – and in country music.
Since the building first hosted the Opry back in 1942, legends of country music from Hank Williams to Johnny Cash and everybody in between have graced its stage, making it a must-play venue for any country artist – and artists of any genre.
And there’s not really much that needs to be said about Tracy Lawrence. He’s one of the biggest superstars to come out of the glory days of ’90s country, rocketing his way to the top with hits like “Alibis,” “Time Marches On,” and “Paint Me a Birmingham.”
At one point in the ’90s Tracy was one of the most-played artists on the radio – of ANY genre.
He’s played all over the world, headlining some of the biggest and most historic venues in country music. And he’s still selling out shows all over the country, more than 30 years after he first burst onto the scene.
Yet somehow, he’s never played a headlining show at the Ryman.
But that’s about to change.
Tracy will finally be headlining his first ever show at the Mother Church of Country Music next May 4, 2024. And Tracy tells Whiskey Riff that the history of the Ryman makes it a special opportunity:
“The Ryman has been a favorite to play for many years. I’ve done a lot different events there but never a full show. The history of Country music there is unmatched and I can’t wait to stand on the stage where so many of my heroes have stood.”
It only makes sense for a legend like Tracy to headline the same stage that has played host to so many legends over the years.
And hearing “Paint Me a Birmingham” in the Mother Church?
Sign me up.
