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Going. Even. Bigger.
According to The Hollywood Reporter, Harrison Ford and Helen Mirren are set to star in the the next chapter of the Yellowstone prequel series, 1932.
Picking up roughly fifty years after the events of the first prequel series, 1883, 1932 will tell the next chapter of the Dutton’s story as the family continues building a life and legacy in Montana.
“1932 introduces a new generation of the Dutton family and will explore the early 20th century when pandemics, historic drought, the end of Prohibition and the Great Depression all plague the mountain west, and the Duttons who call it home.”
The series is set to debut this coming December, only on Paramount+.
Harrison Ford and Helen Mirren have previously worked together on the 1986 film, The Mosquito Coast.
Yellowstone Creator Taylor Sheridan Explains Why ‘1883’ Is Only One Season
The Yellowstone prequel series 1883, our first chronological look at the Dutton family and how they made their way from Texas, to settle in the great state of Montana, is officially in the books.
Granted, there will be some bonus episodes coming in the future, perhaps something to bridge the gap a little between 1883 and the upcoming series 1932, but for all intents and purposes there will not be a second season of 1883.
Yellowstone producer David Glasser confirmed 1883 was one and done, and that 1932 will essentially serve as the “second season,” or next chapter in the story, but now, the genius behind the story himself is weighing in as well.
The busiest man in television sat down with Deadline to discuss the Season finale of 1883, crafting the Dutton story, why he chose to tell the story this way, and more.
But much like Glasser, Sheridan confirmed that there will not be a second season of 1883, and that all of these prequel series are designed to give you a small peak back in time…. not the entire story from beginning to end:
“I created this peek through time to show you this one specific journey. I’m not someone who likes to tie everything up in a bow and explain how everyone lived happily after, or didn’t.
I’d rather you imagine it, and wonder what Thomas and Noemi made of their lives. You never get to see how James and Margaret move on. You did seem them in a flashback as having moved on, and so that’s what I cared to explore. On to the next peek through the window.
I also wanted to create something you could watch and be completely enthralled and fulfilled, having never seen Yellowstone. Let it live on its own merits. Yes for those fans of ‘Yellowstone,’ there are some real Easter eggs and understanding you can take away from that, that informs the way you watch Yellowstone.
I like that model. For me, as a storyteller it feels close ended. I’m going to peek through the window of a different era and see what I see then.”
1883 was one peek through time in the Dutton story, and 1932 will be the next peek through time at the Dutton story.
So for Sheridan, while it’s technically a spinoff since it points back towards his flagship series, Yellowstone, he likes to tell stories that can stand on their own.
If you’ve seen 1883, you understand why:
“Yeah, peek through a different window into a different era. Again, I don’t think of any of these as spinoffs, but rather as complete stories that have common roots.
My goal with the next one would be that you could never have seen 1883 or Yellowstone, and still have a fully realized experience as a viewer.”
And as far as Elsa (Isabel May) and Shea (Sam Elliott), and the death and destruction from the Season Finale goes, Sheridan says it was all part of the plan… a plan that he shared with all of us in the very first episode:
“The goal with 1883, I wanted to tell this really abstract odd structured story. If you were paying attention, I tell you exactly what was going to happen, in the first scene of the first episode to Elsa and Shea.
And then hopefully made you fall in love with the world, and forget that stuff, and play with your expectations that there’s no way what I’ve already told you could actually happen.
To play with structure that way, felt like a new rollercoaster ride for an audience, and hopefully a really reflective and beautiful one. We wanted to make a ten-hour movie that ended, and that’s what we did.
A rollercoaster indeed, and play with your expectations? Definitely…
Ultimately, 1883 was the beautiful, heartbreaking, and thought-provoking miniseries that many of us hoped it would be. Some might even argue that it’s better than Yellowstone.
But if one thing is clear, this is just the beginning of the Dutton story.