I think if any current country artist can speak to the importance of vocals and how you sound live, it’s Carrie Underwood.
She’s arguably the best female vocalist we’ve seen over the last 15 years in mainstream country (in my opinion, she is the best), and in a recent feature with Rolling Stone, she talked a little bit about why that aspect of music is so important to her.
She recalls being sad at some concerts she went to growing up, when the artist didn’t sound right live and she would leave very disappointed.
Carrie says it was “so deflating,” and she would “lose respect for them” when she realized they were just hiding behind autotune and essentially pulling a fast one on fans:
“I love to sing, and I’ve always taken pride in the work I’ve put in on my vocals. I do want to sound good.
Growing up and going to concerts or seeing my favorite artists on TV, if they didn’t sound like they were supposed to sound, it was always so deflating. I’d lose respect for them.
Or when I’d go to a concert and hear them drop keys, I was like, ‘You can’t hit the notes! Why’d you record them if you can’t sing them?’ That stuff is important to me.”
Amen to that, Carrie… that’s gotta be one of the most frustrating and disappointing thing that can happen for any music fan seeing an artist they like live in person for the first time.
I’ve never seen Carrie live in concert before, either, but I’ve always heard nothing but good things about how great she sounds live.
I mean, I don’t know how you could fake those insane vocals, and if you need evidence of just how incredible a singer she really is, just listen to her rendition of “How Great Thou Art.” It gets me every single time.
She added that she’s always been fascinated by frontman Axl Rose’s voice, and tried for years to get on stage with him so they could actually sing together:
“It was many years in the making. I’ve been covering Guns N’ Roses my whole life, pretty much, and definitely onstage for the past 15 years at least. I had asked before if he would ever come sing, or if I could come to him somewhere.
We had a couple almost maybes, where it almost maybe would have happened but for various reasons it wasn’t the right time. But [for Stagecoach] I asked. I sent him an email and said, ‘We’re so close to you,’ and explained the why and what he meant to me.
The way I learned how to sing was I would pick really hard vocalists to try to emulate, and his voice always mesmerized me. I was like, ‘How is he doing the things that he’s doing?’ So I told him all that…and he came!
We had rehearsals and everything went very smoothly. It was easy for all of us to be around each other. Hopefully, he had a good time.”
And when it did finally happen, they crushed it.
Here’s their rockin’ performance of “Sweet Child Of Mine” in London:
And a little bit of “Paradise City” from Stagecoach:
Carrie Underwood Feat. Axl Rose – Paradise City (Stagecoach '22) アクセル細い！！ ただアクセルのボーカル、個人的に期待していたのだが、正直ミッキーボイスかも… pic.twitter.com/sQrXHPl8cV