It’s a week night and you’re winding down after a long day at work, so you decide to run to the gas station and get you a sixer of Bud heavy’s, and flip on the TV for a little while before you call it a night.
Typically you’d just flip it on the 6 o’clock news or whatever is in primetime TV so you have something to stare at while you fall asleep on the couch.
I’m talking about Jackson and Strait’s iconic performance of “Murder On Music Row” at the 1999 CMA Awards.
Country music was at its peak in popularity, and you had some absolute studs rocking the stage year after year at country music awards ceremonies. However, the “pop-country” sound was slowly starting to make its way into country music radio, and country music purists were not happy, to say the least.
And what happened at the 1999 Country Music Association Awards, simply can’t be forgotten.
Alan Jackson and George Strait took the stage that year and took a much-needed shot at mainstream Nashville with a performance of their duet, “Murder On Music Row.”
Originally written by Larry Cordle and Larry Shell, it was a lament of the death of traditional country music.
“For the steel guitars no longer cry And the fiddles barely play But drums and rock ‘n’ roll guitars Are mixed up in your face Ol’ Hank wouldn’t have a chance On today’s radio Since they committed murder Down on music row.”
You gotta love it.
And we have to take this opportunity to share, because Lord knows the CMAs would never let a singer perform a song like this on stage nowadays.
Because unfortunately… it’s gotten a whole lot worse ever since.
Maybe if the CMAs ever get their head out of their ass, Muscadine Bloodline can sing this one there.
It’s not hard to see how “Dispatch to 16th Ave.” was inspired by “Murder On Music Row,” another great “stick it to the man” country songs of this generation.
Dierks Bentley & George Jones’ Cover Of “Murder On Music Row” Is Seriously Underrated
Where has this been hiding?
“Murder On Music Row” was originally written by Larry Cordle and Larry Shell in 1999, and recorded by Larry’s bluegrass band Larry Cordle & Lonesome Standard Time, as the title track from their album of the same name.
But when George Strait and Alan Jackson got a hold of it, it became a hit… especially among fans of more traditional country music who were upset at the direction of the industry. It obviously got a lot worse…
George and Alan performed it at the 1999 CMA Awards, and recorded the tune for Strait’s 2000 Latest Greatest Straitest Hits album. It went on to win Song of the Year at the CMA Awards the following year.
But then, Dierks Bentley and George Jones cut the song as well… a version that has flown under the radar for many country music fans. Recorded for a special Cracker Barrel “Songs of the Year” album in 2007, it featured covers from Blake Shelton, Randy Travis, Trisha Yearwood, Willie Nelson and more.
Dierks Bentley and ol’ Possum teamed up for a cover of “Murder On Music Row,” for that record, and it’s pretty damn good. Not to mention, I’m willing to bet plenty of country fans don’t even know about it.